Venice Unveiled: An Authentic Guide for a 2 and 3-Day Stay

Venice, the city of dreams and whispers of the past, invites you to wander its alleys and float along its canals. Whether you're there for 2 days or extending your stay to 3, this guide will ensure you live and breathe the city's essence beyond the usual tourist trails.

For the 2-Day Adventurer

Day 1: The Essence of Venice

Morning: Begin at Piazza San Marco early to beat the crowds. The tranquillity of the square, Doge's Palace, and St. Mark's Basilica in the early hours is something special. Afterwards, enjoy a morning coffee at a local café, soaking in the city's waking moments.

Late Morning to Early Afternoon: Head to the Rialto Market. Morning is the best time to visit when the market is bustling with life. Engage with local vendors, sample Venetian specialities, and perhaps gather some treats for a later snack. After your market adventure, lose yourself in the surrounding streets and discover the city's hidden gems.

Lunch: Visit a traditional bacaro for lunch. Standing up, enjoy cicchetti with a glass of local wine, embracing the authentic midday meal culture of Venice.

Afternoon and Evening: Explore the Cannaregio area with its magic reflections and authentic feel. For dinner, explore one of Venice's quieter neighbourhoods to find a trattoria where locals dine. Try traditional dishes, then cap off your evening with a walk along the Zattere promenade, dessert gelato in hand, as you enjoy the peaceful dusk.

Day 2: Culture and Color

Morning: Start with a visit to the Gallerie dell'Accademia, then contrast it with the modern art at the Peggy Guggenheim Collection. The collection's garden offers a moment of tranquility.

Afternoon: Take the vaporeto to Burano. The island's vibrant houses and lace tradition offer a colourful escape and a deeper look into Venetian craftsmanship.

Lunch: While in Burano, enjoy lunch at a local eatery. This is your chance to try seafood freshly caught from the surrounding lagoon.

Evening: Back in Venice, end your day with a leisurely stroll to absorb the city’s evening charm. Consider an early evening spritz at a local spot as you reminisce about the day's discoveries.

Adding a 3rd Day for Deeper Exploration

Day 3: Hidden Venice

Morning: Explore the historic Jewish Ghetto, the first of its kind in the world. A guided tour in the morning can illuminate its profound history and culture.

Afternoon: Experience Venice with a gondola ride from the water, then head to the Dorsoduro district. Here, explore artisan shops and the striking Santa Maria della Salute church.

Lunch: In Dorsoduro, find a cosy café or bacaro for a light lunch. This area offers many options for enjoying local fare in a laid-back setting.

Evening: Conclude your Venice adventure with a cultural evening. Whether it's a visit to a local theatre or a classical music concert, immerse yourself in Venice's artistic vibrancy.

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Concluding Thoughts

Venice is a city that captivates not just through its visual beauty but through its rich tapestry of history, culture, and daily life. This itinerary is designed to guide you through an immersive experience, from the bustling markets to the quiet beauty of its lesser-known islands. Let Venice’s allure captivate you, leaving memories that beckon you back long after you depart.

20 Great Things to do in Venice 7/20 – Music

Experience (well-played) Vivaldi in Venice

For many, experiencing Vivaldi in Venice is an absolute must. But more discerning music-lovers might feel somewhat Baroqued out by the predictable programmes performed by local groups, whose technical ability rarely goes beyond the so-so to fairly good range. Exceptions are the Venice Baroque Orchestra, a global success, and the orchestra of La Fenice, one of the best in the country. As well as its opera and ballet seasons, La Fenice has at least two concert seasons a year. The Teatro Malibran shares the Fenice’s programmes and also has its own chamber music season, with performances by the Società Veneziana dei Concerti.

Mestre’s Teatro Toniolo also has a symphony and chamber music season. Most other musical events take place in Venice’s churches or scuole. St Mark’s basilica holds a smattering of ceremonial concerts throughout the year, with the patriarch deciding who is to attend. But lovers of sacred music should catch one of two regular Sunday appointments: the sung Mass at St Mark’s (10.30am) and the Gregorian chant on the island of San Giorgio (11am).

20 Things to do in Venice 11/20 – Take a tour of the Grand Canal

Take a tour of the Grand Canal

A wonderful way to take in the Grand Canal is on board a vaporetto (a rounded 230-passenger boat). I have talked before about them here and here .The canal may no longer be teeming with merchandise-laden cargo boats, but it is still the main thoroughfare of Venice, and only a little imagination is needed to understand its historical importance. The three and a half kilometre (two-mile) trip from the railway station to San Marco provides a superb introduction to the city, telling you more about the way Venice works – and has always worked – than any historical tome.

Every family of note had to have a palazzo here, and this was not just for reasons of social snobbery. The palazzi are undeniably splendid but they were first and foremost solid commercial enterprises, and their designs are as practical as they are eye-catching.

Vaporetto tickets can be purchased at most stops, at tabacchi (tobacconists, identified by a white T on a black or blue background) and at Hellovenezia offices On board, you can only buy single tickets. The fare for a shuttle journey (ie one stop across the Grand Canal, the hop across to the Giudecca, or from Sant’Elena to the Lido) is €2.

Venice Carnival 2012

I know we are not even at Christmas but I just realised yesterday, that Carnival is getting closer and closer. For 2012 will be between the 4th of February and 21st February 2012. The main events will start from the 11th of February. Few tips on what to do are here Even Federico mentioned Carnival yesterday during a very nice book presentation so here we are to talk about Carnival. I know there are many versions about the origins of Carnival, the one that I like best is the following.

The oldest document pertaining to the use of masks in Venice dates back to 2nd May 1268. In the document it is written that it was forbidden for masqueraders to practice the game of the "eggs". From the early 14th century onwards, new laws started to be promulgated, with the aim of stopping the relentless moral decline of the Venetian people of the day. This restrictive carnival legislation started with a decree on 22nd February 1339 prohibiting masqueraders from going around the city at night. A decree that helps us understand just how libertine the Venetians of the day were, is that of the 24th January 1458 which forbade men from entering convents dressed as women to commit "multas inhonestates"! In a similar vein, the decree of 3rd February 1603 is interesting in that it attempted to restore morality in the convents.

Masqueraders were banned from entering the nuns’ parlous – it had been the convention to sit in the parlous and talk to the nuns. Frequently, decrees were promulgated prohibiting masqueraders from carrying arms or any instrument which could cause harm, or other decrees which forbade masqueraders from entering churches. This obligation was extended to the townsfolk who were not allowed to enter churches wearing "indecent attire". 1608 was an important year, the 13th August to be precise, when a decree from the council of 10 was issued declaring that the wearing of the mask throughout the year posed a serious threat to the Republic. To avoid the terrible consequences of this immoral behavior, every citizen, nobleman and foreigner alike, was obliged to only wear a mask during the days of carnival and at official banquets.

The penalties inflicted for breaking this law were heavy – for a man this meant two years in jail, 18 months’ service to the Republic galley-rowing (with ankles fettered) and not only that, a 500 lire fine to the Council of 10. As for women, they were whipped from St Mark’s all the way to Rialto, then held to public ridicule between the two columns in St Mark’s. They were banned from entering the territory of the Venetian Republic for 4 years and had to pay the 500 lire fine to the Council of 10. 50 years after the decree of 1608, the Council of 10 published a proclamation on the 15th January reaffirming the ban on wearing masks and bearing arms.

It was further prohibited to enter holy places wearing a mask and it was expressly forbidden to wear religious clothes with a mask. In the same decree the use of drums was banned before midday, and even dancing of any description was prohibited outside of the carnival period. Seeing that many Venetian nobles used to go gambling wearing a mask to avoid their creditors, in 1703, masks were banned all year round from casinos.

Two different decrees (1699 and 1718) saw the prohibition of wearing a mask during Lent and other religious festivals which took place during carnival. In 1776, an act introduced to protect the by now forgotten "family honor", forbade all women from going to the theatre without a mask and cloak. After the fall of the Republic, the Austrian government forbade the use of masks for both private parties and elite parties (e.g., la Cavalchina della Fenice) . The Italo-Austrian government was more open but now it was the Venetians who were being diffident. Venice was no longer the city of carnival, but just a little imperial province without personal liberty. During the second Austrian government it was once again permitted to wear masks.

Nowadays is one of the main events in Venice and thousands of people come to Venice.